Recording format

 Film
 Super 35
 35mm
 Super 16
 16mm
 Super8/8mm


 High Definition
 HDCAM SR
 HDCAM
 DVCPRO HD
 HDV
 Other HD 1080
 Other HD 720


 Standard Definition
 Digibeta
 BetaSP
 DVPRO50
 DVCAM
 DV
Shot attributes

Aspect ratio
 16:9
 16:9 letterbox
 4:3

Shot speed
 Slow motion
 High Speed
 Time lapse

Colour
 Colour
 Black and white


Light
 Morning
 Day
 Evening
 Night
 Twilight
 Blue Hour
 Dusk
 Dawn
Camera options

Movement
 Still
 Pan
 Horizontal Pan
 Vertical Pan
 360° Pan
 Zoom
 Drive
 Crane
 Hand Camera
 Steadycam
 POV


Setting
 Long Shot
 Full Shot
 Medium Shot
 Close-up
 Macro


Position
 Eye Level
 High Angle Shot
 Topshot
 Bottom View
 Outdoor Shot
 Indoor Shot
 Aerial
 Helicopter
 Air to Air
 Underwater Shot
 Satellite Shot
As a cinematographer, production company, broadcaster or film archive you own immensely valuable material. In order to realize the revenue potential of your footage, your collection needs the best market presence and maximum customer exposure.

That’s where we come in. We can market your material with our experience and our relationship to potential customers. And with the world's most advanced stock footage technology.

Framepool has been founded by filmmakers and is runned by filmmakers. We understand how dear your film assets are to you and what potential they have for your colleagues.
 
Ease and speed of access are key in the stock footage industry. Framepool has pioneered the design and operation of a fully digital archive that does hold its material not on traditional video tapes, but as digital copies in full master quality. Every single shot is indexed with rich metadata and stored on a state-of-the-art storage system.

For Framepool's clients these results in an unprecedented ease of access to any film material they might need. Clients can search the complete collection from their desks. Previews are delivered within minutes. After licensing clients can directly download the full master quality clips to their editing suites or receive them in a wide variety of tape formats.
 
Since its foundation in 2001 Framepool has become one of the leading stock footage agencies. With offices in all major European film production markets - Munich, London, Paris - Framepool can efficiently serve clients across the continent.

Based on its success in Europe, Framepool is expanding rapidly in Asia and North America. Currently we run offices and representations in Los Angeles, Miami and Toronto, with more to come. Our sales managers are in close contact with all major users of stock footage. Nearly all of the world's leading advertising agencies, film productions and studios have requested stock footage from us.
 
Framepool will work closely with you to select the material that has the highest revenue potential in the international markets and is covered by appropriate releases. The film material will be digitized at Framepool's production system. Our experienced creative and logging team will select and catalogue the best clips. They will then be safely stored in Framepool's digital archive while watermarked web proxies will be transferred to the web servers. All master tapes will be returned to you.

Then all you have to do is waiting for the check. All marketing activities, all requests, all negotiations and the delivery to the client are handled by Framepool without any recourse to your resources.
 
We know that your film assets are very dear to you. After all we are film people ourselves. This is why we invest heavily in securing the material you entrust us with.

Framepool will chase all infringements of your copyrights and ensure that you are properly reimbursed for any usage of your material. We work with the industry leaders for watermarking and tracking technologies to ensure the best surveillance of usage now and in the future.
 
Contact our Content Department or any regional Framepool office to learn how we could help you unlock the value of your assets.

content@framepool.com

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